The Other One Or Why Less Is Actually Always More

It was pure co-incidence… Watching television (France 2). I Went Looking For Avishai Cohen? And I found two? Concerning the references (“the other one”, for the record, I am really not partial to that head practice…) they are just that, references, not more or less. In this particular case I am bit confused. This is… Continue reading The Other One Or Why Less Is Actually Always More

I Need To Re-brand Myself

Blir du lönsam, lille vän? Will You Be Profitable, My Friend? Artist: Peter Tillberg | 1972 Photo: Åsa Lundén | Moderna Museet * The picture has been cropped.

The Final One?

The Final one? As in the last set? There will not be another? What doe “The Final” mean? You are giving up? Come on man! I honestly do not understand that. No more music? But, get back to work man! It is not up to you to decicde. You have responsibilities. A higher authourtiy dictates… Continue reading The Final One?

Ascenseur Pour L’échafaud

“[La vie c’est une…] modification perpétuelle.” Jeanne Moreau, (1928–2017) “Ascenseur Pour L’échafaud” (Elevator to the Gallows, 1958) is the title of French film director Louis Malle’s debut and it stars the quintessentially French actress Jeanne Moreau. She was or is the very definition of what it means to be refined, dignified and civilised. Even though… Continue reading Ascenseur Pour L’échafaud

Collectors And Originals

”Collecting” is an interesting (it seems interesting to me anyhow) concept, because it may be the last black-and-white realm that still exists in our World? Not plauged by ”maybes”, ”I percive it in that way” or my own personal favorite; the deconstructive backlash: ”everything is relative…”. Well, no that is not the case and once… Continue reading Collectors And Originals